What do the Austrian-British philosopher Ludwig Wittgenstein and the Dutch painter Piet Mondrian have in common? For philosopher and artist Renée Jorgensen Bolinger, the two have similar beliefs about the logic of space.
“Many of Mondrian’s pieces explore the relationships between adjacent spaces,” says Bolinger “and in particular the formative role of each on the boundaries and possibilities of the other. I based this painting [see above] off of Wittgenstein’s Tractatus, in which he develops a theory of meaning grounded in the idea that propositions have meaning only insofar as they constrain the ways the world could be; a meaningful proposition is thus very like one of Mondrian’s color squares, forming a boundary and limiting the possible configurations of the adjacent spaces.”
A second-year PhD student in the philosophy program at the University of Southern California, Bolinger studied painting a Biola University before making philosophy her second major. “I actually came to philosophy quite late in my college career,” Bolinger says, “only adding the major in my junior year. I was fortunate to have two particularly excellent and philosophic art teachers, Jonathan Puls and Jonathan Anderson, who convinced me that my two passions were not mutually exclusive, and encouraged me to pursue both as I began my graduate education.”
Bolinger now works primarily on the philosophy of language, with side interests in logic, epistemology, mind and political philosophy. She continues to paint. We asked her how she reconciles her two passions, which seem to occupy opposite sides of the mind. “I do work in analytic philosophy,” she says, “but it’s only half true that philosophy and painting engage opposite sides of the mind. The sort of realist drawing and painting that I do is all about analyzing the relationships between the lines, shapes and color tones, and so still very left-brain. Nevertheless, it engages the mind in a different way than do the syllogisms of analytic philosophy. I find that the two types of mental exertion complement each other well, each serving as a productive break from the other.”
Bolinger has created a series of philosopher portraits, each one pairing a philosopher with an artist, or art style, in an intriguing way. In addition to Wittgenstein, she painted ten philosophers in her first series, many of them by request. They can all be seen on her Web site, where high quality prints can be ordered.
by Mike Springer
Source: Open Culture